Sugi Bonsai
NAKANO GYOZAN 中野 行山 "Hand signed 爪描き" - 常滑 - 29.0cm Rectangular
NAKANO GYOZAN 中野 行山 "Hand signed 爪描き" - 常滑 - 29.0cm Rectangular
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Product Details / 鉢の詳細
Region / 産地: Tokoname, Aichi Prefecture(常滑市)
Kiln / 窯: Gyouzan Kiln(暁山窯)
Potter / 作家: 1st Generation Gyouzan, Nakano Yukizyou(初代 暁山・中野行山)
Hand signed / (爪描き)
Description / 説明:
This medium-sized unglazed rectangular bonsai pot by 1st Generation Gyouzan (中野行山) reflects the refined craftsmanship and strong formal aesthetic typical of early Tokoname work. The pot features straight, sharply defined walls, square-edged corners, and an internal planting rim (内縁) — a traditional and functional feature that enhances visual structure and planting precision.
Made from Tokoname’s characteristic warm red clay, the surface has developed a subtle natural patina over time, enriching the tsuchi-aji (土味) or "clay flavor." This aged surface offers an understated beauty and depth that deepens with continued use, perfectly aligning with the Japanese aesthetic of shibui (渋い) — quiet, mature elegance.
The integrated feet are cleanly cut, continuing the straight lines of the pot and lending a grounded, stable stance to the overall form. The pot is nail-signed (爪描き, tsume-gaki) on the base by the artist, a mark of authenticity and traditional technique.
External Dimensions: 29.0 x 23.5 x 8.8cm
Internal Dimensions: 25.5 x 20 x 6.8cm
Condition (状態): Very good condition with minor age-related wear. No chips, cracks, or repairs. Natural surface patina consistent with age and use.
Nail-signed (爪描き, tsume-gaki) by 1st Gen Gyouzan
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Ideal for formal bonsai display or serious collection
Collector’s Note: / コレクターズノート
Early works by Gyouzan (暁山) have become increasingly scarce on the market, particularly examples that combine strong form, clean execution, and a rich sense of 土味 (tsuchi-aji) such as this piece. The harmonious balance of proportion, the carefully executed feet (爪描き脚), and the use of classic Tokoname clay exemplify the refined craftsmanship characteristic of first-generation Gyouzan works.
Pieces from this early period are especially valued for their understated elegance (控えめな美) and structural confidence, qualities that have become hallmarks of Nakano Yukizyou’s legacy. This pot embodies the timeless functionality and quiet sophistication that continue to make early Gyouzan ceramics highly sought after by serious collectors and bonsai practitioners worldwide.
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