HISADA, Tokoname, 37.7cm, rectangle, unglazed.
Product Details:
Region: Tokoname 常滑市
Kiln: HISADA
Potter: 2nd Gen Hisada Keizan (Sadao Hisada)
Description:
For bonsai connoisseurs and collectors of fine Japanese ceramics: a refined, medium unglazed rectangle bonsai pot by Keizan Hisada (久山 桂山) that features flared corners that gracefully extend from the subtly incised stepped feet dan-ashi all the way up to the raised border lip fuchidate, creating a harmonious flow that visually unites the basal-base koshi-obi and a slight inner-rim uchibuchi. This continuous design enhances the pot’s balanced silhouette, emphasising craftsmanship and refined aesthetics.
The unglazed surface is developing a rich "渋い" (shibui) patina that will improve with age, deepening its character over time.
Perfect for pines, junipers, or deciduous bonsai needing a stately yet understated container for exhibition or long-term refinement.
It bears at the base Keizan's personal seal.
External dimensions: 37.7 x 27.2 x 7.6cm
Condition: Excellent condition,
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Keizan Hisada, also known as Sadao Hisada, is a renowned figure in the world of bonsai pottery, recognised for his exquisite craftsmanship and significant contributions to the art of bonsai. Born in 1930 in Tokoname, Japan, he is the son of Shizuo Hisada, who established the Hisada factory in 1929 primarily for brick production. Over the years, Keizan has transitioned from this foundation into creating some of the most sought-after bonsai pots, particularly unglazed varieties that highlight the natural beauty of clay.
Keizan is deeply connected to Tokoname, a city in Japan with a long history of pottery production, and his work is celebrated within that tradition.
He is particularly known for his unglazed bonsai pots, which are favoured for their ability to allow the natural characteristics of the clay to be appreciated.
Family Legacy:
Keizan comes from a family with a long history in pottery, inheriting and expanding upon his father's work in the field.
His pots are not just functional containers; they are considered works of art, reflecting a deep understanding of both pottery techniques and the aesthetics of bonsai.
